Reviews



Treibhaus – Alphatier

Wednesday, February 16th, 2011

An electronic military march is the introduction to the fourth studio ablum of Electronic-Metal group Treibhaus. They began gaining notice 6 years ago with the release of their first album, Unsterblich, which was quickly followed up by Feinbild in 2006 and Alarmstufe Rot in 2008, all released on front man Curt Doernberg’s own label, Neeve Records. They didn’t stop there, putting out Live in Hannover less than a year later and for a band who releases most of their albums so closely together it’s a strange thing for the quality of the sounds and lyrics to actually go up with every effort, and with Treibhaus that was the case and a promising sign for the future.

Feedback has been good, with reviews of their work from online magazines and zines usually hovering around the 8/10 mark (save for their first album which received a 6.5) and to me that is a mark that is well deserved. The vocals have not changed much from their first effort, Unsterblich, with front man Doernberg’s menacing voice leading the charging guitars, thundering bass and pulsing electronic beats that have been ever present in Treibhaus’ music since their conception. The only question I’ve ever had is: when will the mixing come to fruition? Unsterblich was more of an experiment, raw and untamed. Feinbild was more professional, polished but very electronic in its tones. Alarmstufe Rot was more of a harmony between guitar and electronic beats and for the last 2 years I’ve wondered where this experiment would take their music, and with the arrival of Alphatier on the bands new label Dance Macabre that question has been answered.

Alphatier to me, is the definitive mix of electronic beats and metal guitars as far as Treibhaus is concerned. This is something that has been in the works for a long time and now, with the introduction of a larger label behind them in Danse Macbre the band is finally realizing it’s true potential. The music (as usual all written by Doernberg) is excellent and the beats memorable. From the opening rain washed electronic military beat that is Einführung to the end and Helden von Gestern there is hardly a pause in the tempo save for the one slower, more electronic song on the album: Scheiss Auf Dich, which has an almost poetic elegance to its sound. If you are already a fan of Treibhaus then there is no question you should be picking this one up, and if not, then give it a chance if you like hard, German Electronic-Metal, mixed to near perfection.

Treibhaus have a motto: “If you love Treibhaus, give it your friends – If you hate it, give to your enemies!”

In this case, I wouldn’t give it to my enemies, they would probably love it far too much.

Final rating: 9/10


B.O.S.C.H. – Einsam

Wednesday, July 21st, 2010

To be honest, I hadn’t heard of B.O.S.C.H. before last week nor had I any clue they were even releasing an album. They don’t have an official website, but instead operate solely off of Myspace as far as I can tell. If not for the recommendation by Greg of Germaniac.com, I would have never heard what is certainly one of the best industrial albums of 2010.

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Rummelsnuff – Sender Karlshorst

Thursday, July 8th, 2010

Berlin based strongman, sea captain, musician and oddity, Roger Baptist, aka Rummelsnuff, is back in the spotlight after 2 years with his follow up to 2008’s debut hit “Halt, Durch!”, in his newest offering, the wonderfully strange, “Sender Karlshorst”.

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Edge of Dawn – Enjoy The Fall

Monday, May 24th, 2010

When I traveled to Toronto in January of 2009 to see De/Vesion and Sebound, two German synthpop bands on the Alliance Tour, I was unaware that Seabound’s front man Frank Spinath had another project in the works since 2005: Edge of Dawn.

That day I saw a fantastic live show, had a ton of fun interviewing the bands, and discovered what I would later find to be a hidden Gem in their 2007 release “Enjoy The Fall”.

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Peter Heppner – Solo

Friday, May 21st, 2010

The happy memories of Wolfsheim shattered by lawsuits, a friendship with ex band mate Markus Reinhardt ended and 20 years of history are left behind as German singer Peter Heppner now moves on and goes solo.

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